We meet every Sunday at 11.30am, plus certain high and holy days. You are very welcome to join us. We come to worship God, to pray for the world and each other, and to raise money to help people less fortunate than ourselves. After the service, we serve coffee or a glass of wine, and have a time to get to know one another. We list below our regular events, our next Sunday service plus any online services which are taking place across the Malaga Chaplaincy.

Holy Eucharist

Occurring
Every Sunday at for 1 hour
Venue
St George's Church, Málaga
Address
Avenida de Pries 1 Málaga, 29016, Spain

There is a Holy Eucharist with hymns every Sunday at 11.30am. After the service there is a time of fellowship when refreshments are served outside the church.

Sunday 23rd August, 11:30am Holy Eucharist for 12th Sunday after Trinity

Occurring
for 1 hour
Venue
St George's Church, Málaga
Address
Avenida de Pries 1 Málaga, 29016, Spain

In today's gospel, Jesus asks his disciples who do people think that he really is. And only one appears to have the right answer, Peter, who announces, ‘You are the Messiah, the Son of the living God.’ And Jesus is clearly delighted. And, almost like a reward for the correct answer, he turns to Peter tells him, "On this rock I will build my church".
The rock of course is Peter, his name means a rock in Greek. And so it was that Peter became the first Pope and all Popes ever since have had the title, "Successor of the Prince of the Apostles", and the Prince of the Apostles was Peter. It is also said that the Latin word, for the Pope, Papa, was an acronym, representing the phrase "Petri apostoli potestatem accipiens", which means "the one who receives the power of the apostle Peter".
PIcture above: Church built on a rock, in Fuente del Conde

Breathing Space - Every Tuesday morning at 10am

Occurring
Every Tuesday at for 15 mins
Venue
An online service using Zoom
Address
An online service using Zoom

Every Tuesday morning at 10am

Simply tune in on Zoom and enjoy a few moments of quiet, prayerful reflection as the week unfolds. It will last no longer than 10 minutes.

Meeting ID: 892 2955 4820 Passcode: 836488
https://us02web.zoom.us/j/86523047387?pwd=cZ8g29z3nUYTbXh1VlxdGedrf7Pvid.1

A time to pause, pray, reflect and reconnect.

No preparation needed.

Time for conversation for those who can stay.

“….Waiting on God, learning to be passive in a way creative for your inner life, is not a question of thinking about God, but of growing in stillness. It has to do with prayer, and with music or from the simple contemplation of the world about you.” (Michael Mayne, ‘A Year Lost and Found’)

30th August 11.30am, Eucharist for the 13th Sunday after Trinity

Occurring
for 1 hour
Venue
St George's Church, Málaga
Address
Avenida de Pries 1 Málaga, 29016, Spain

In today's gospel,Christ is talking about the necessity of his passion and death. And St Peter barges in and says “Heaven forbid. No way, Lord. This shall never happen to you!”
And of course what he betrays is his own fear of death, which reflects his fears about his own life! He knows the moments where life has been empty, he knows what it is to lose your direction, your identity - and so at the moment that Christ even breathes the words, Peter is there saying “No, this cannot happen”.
But Jesus shouts back, "Get thee behind me, Satan!" Heavy words. But for Jesus it is completely different, because the one quality which marked his short life out especially, was that he lived life to the full. He was alive to the leper, alive to the Scribes and Pharisees, alive to the crowds… and alive to the dying.
And when people met him that was what leapt out at them – a quality of aliveness born of an inner aliveness to God. When they say in St John's gospel, “in him was life”, it was no pious platitude, but a simple statement of the impression he made on people he met – “In him was life”.
Picture above: extract from the painting, ‘Get Thee Behind Me, Satan’ by James Tissot (1836–1902). This image was uploaded by the Brooklyn Museum as a content partnership, and is considered to have no known copyright restrictions by the institutions of the Brooklyn Museum.