Lunchtime Organ Recital: Thomas Allery
- Occurring
- for 30 mins
- Venue
- The Temple Church, London
- Address The Temple Church, Temple, London EC4Y 7BB, EC4Y 1BB, United Kingdom
Programme
Johann Sebastian Bach (1685-1750)
- Prelude in E flat BWV 552 (i)
- Ich ruf zu dir, Herr Jesu Christ BWV 639
- Fantasia in C minor BWV 562
- O Lamm Gottes unschuldig BWV 618
- Kyrie, Gott heiliger Geist BWV 671
Thomas Allery is Director of Music at Temple Church. He enjoys a varied career as a director, organist and early keyboard player.
After an MA (Oxon) at the University of Oxford, Thomas subsequently studied organ and harpsichord at the Royal College of Music at masters level, before pursuing an Artist Diploma in harpsichord at the Guildhall School of Music and Drama. His teachers have included Margaret Phillips, Terence Charlston, Carole Cerasi and James Johnstone. A sponsorship from the Eric Thompson Trust enabled him to study early organ techniques with Erwin Wiersinga at the Martinikerk in Groningen.
Thomas works regularly as a continuo player with a range of leading ensembles in the field of historical performance and opera, including The Sixteen, and is a founding member of the award-winning period group Ensemble Hesperi, with whom he has toured, recorded and broadcast widely. In 2024 Thomas was appointed as professor of basso continuo at the Royal College of Music.
The Temple Church organ
The organ in the Temple church was built in 1924 for the Castle of Glen Tanar, Aberdeenshire, and installed in 1954 in the rebuilt church (following war damage), the gift of Lord Glentanar. The organ case was designed by W. E. Godfrey and installed in 1966 and is modelled on drawings of the Temple’s Father Smith organ of 1688, showing the crests of Inner and Middle Temple. The organ was rebuilt in 2013 by Harrison and Harrison of Durham and has 66 stops over four manuals.
Future recitals – Wednesdays at 1.15 pm
2nd April – no recital
9th April – Charles Andrews (last recital of the term)
Recitals then resume on 30th April with a performance by Piotr Maziarz (Royal Birmingham Conservatoire) in collaboration with The Keyboard Trust.